The 2013 Super Bowl featured the Sandy Hook chorus, Jennifer Hudson, Alicia Keys, Beyoncé, a whole bunch of advertisements and, oh yeah, a football game. While things were not as overt and in your face as last year’s half time show/celebration of Great Priestess Madonna, there were nevertheless a a lot of Illuminati Agenda-pushing going on. Here’s a recap of the noteworthy elements that occurred in the 2013 Super Bowl, the TV event of the year.
The Sandy Hook Chorus
Jennifer Hudson sings with the Sandy Hook Chorus … a group that was NOT created by the young kids that are part of it.
As described in my recent article, Sandy Hook Survivors Are Made to Sing “Over the Rainbow” to Commemorate the Shooting, children that survived the shooting are currently being used in all kinds of media events. A few weeks ago, they recorded Over the Rainbow (an MK-Ultra trigger song) and were made to perform on live television. For the Super Bowl, the Sandy Hook Chorus was sent to New Orleans to sing before 70,000 spectators and millions of TV viewers. Why? Why do we keep bringing this horrible shooting to the center stage? To remind people that “gun control is good”? Isn’t it very sad and ironic that these kids must sing America the Beautiful after witnessing a horrible massacre, one that might have been caused by a mind-controlled patsy? Why are these kids being booked and flown to all kinds of nerve-wrecking mass media events? Is this still part of their “healing process”? Why are they being mixed with the Illuminati entertainment industry? Shouldn’t they be home with their friends and families instead of being under the spotlight? The exploitation of their image is rather unsettling.
The performance was led by an industry-favorite, Jennifer Hudson – aka the “new Whitney Houston” – who is always chosen to perform in important occasions. Hudson also survived a strange and terrible tragedy, with the triple-murder of her mother, brother and nephew in 2008.
The Half Time Show
The best word I can use to describe the half-time show is “Beyoncé-ish”. It was like, sooooo Beyoncé. After “singing” (kinda) at the Obama inauguration, Beyoncé was again the star of a major event. No need to say that she’s an industry favorite, a figure-head of the Illuminati music industry. As described in several articles on this site, the symbolism in her work clearly indicates who she is working for. While her half time show was not the big, pharaonic occult display of Madonna’s 2012 show, we still witnessed the mind-control symbolism that is usually part of Beyoncé’s material.
The entire show focused on duality and the multiplying of personalites, two concepts that are extremely important in Monarch mind control (read the article Origins and Techniques of Monarch Mind Control if you don’t know what I’m talking about).
The first and most visible cue to the concept of duality and alter-personas is the stage itself which consists of two faces that somewhat look like Beyoncé.
The stage is made up of two faces mirroring each other, an image evoking duality and multiple personalities.
The first part of the show contained a combination of symbols and visual effects that refer to the concepts of duality and multiple personalities.
At the beginning of “Baby Boy”, Beyoncé dances in front of a black and white background (a representation of duality). Through video effects, she then “multiplies herself”.
Here we see one black silhouette (which is Beyoncé, the “core” personality) and two white silhouettes (alters personas?).
The two white silhouettes turn into real human Beyoncé look-a-likes who dance with her for a while. We then see a lot of lights flashing and confusing effects, making us wonder who is the real Beyoncé. The blurring between reality and illusion is a focal point of mind control and is aptly displayed here.
Even the saxophone girl, with her Masonic checkerboard pattern dress, conveys the concept of duality.
At one point, the screen behind Beyoncé displays the classic symbol representing the fracturing of personalities, one that is almost ALWAYS part of MK-themed narratives.
The screen that displayed alter personas and dualistic patterns shatters (emphasized with a loud sound effect), a symbol indicating the fracturing of persona in MK symbolism.
The first part of the show was therefore all about duality and multiple Beyoncés. Then, the group Destiny’s Child was randomly brought back from the late-90s to sing along with one of Beyoncé’s solo hits. During Single Ladies (Put a Ring on It), Beyoncé briefly flashes a hand sign – one that readers of this site probably already know all too well. This gesture generated a lot of media attention.
Beyonce flashing the “ROC” hand sign.
[Article continues – lots more HERE]